Maya’s work often blurs genres, working across modes and styles that might be classified as lyric, narrative, hybrid, flash, linked, speculative, and experimental.
Humanities Washington blog: “The Privilege Button”
Passages North: “Lower Columbia Watershed Haibun”
Bellingham Review, Issue 71, November 2015: “He Worked As an Electrician. He Enjoyed Television. (His Obituary Was Plain.)”,
Brevity Magazine, January 2017: “American Professionals”
Construction Magazine, January 2017: “Dear America: An Elegy in November”
Empty Mirror Review: “All Night you Dream of Ice and in the Morning Wake to a Skiff of Snow”
High Desert Journal, Fall 2015: “Questions for the Immigrant’s Daughter,” and “After the Birth of My Daughter, I Try to Imagine My Father as a Child,”
“On Libraries and Vans,” blog post in Erin Pringle-Toungate’s Summer Library Series, 2015
On the Seawall: “It Was the Sound of a Cloud Looking at Itself” and “Thanks so Much for the Urn,” February 2021
Other nonfiction can be found in Gettysburg Review, Seneca Review, Florida Review, The Pinch, Spark Magazine (the Magazine of Humanities Washington), and the New York Times-reviewed anthology, This is the Place: Women Writing About Home, as well as elsewhere.
New essays are forthcoming soon in Guesthouse and The Normal School.
Maya is currently shopping a novella-in-vignettes, titled “A Few Nondescript Adventures of Some Consequence.” A few examples from this work can be found here:
Another Chicago Magazine: “Antecedarian”
Bellingham Review: “The In-Between”
Booth Journal: “A Few Nondescript Adventures of Some Consequence”
Necessary Fiction: “Sixteen Bios . . . “
Queen Mob’s Tea House: “The Surgery”
Sundog Lit: “Office Man and The Conference”
Menacing Hedge: “Field Trip”
Moss Journal: “Office Girl & University Hero, Chapter One: Change”
More pieces appear in Santa Monica Review, Rock & Sling, & Lilac City Fairy Tales (Towers & Dungeons Anthology), and other places.
Works are forthcoming in Fugue, Poetry Northwest, and Cortland Review.
“On 5 April 1884” in One Hand Clapping
“The Pleasure of Ruin” in Willow Springs
“Laozi” in Poetry Northwest
“Dear America” in The Rumpus
“Letter to Tori in December” in Glass Poetry
What Rough Beast.: “Spell for Conjuring Order: Pleuronectiformes,” in What Rough Beast
“Tori Amos Nursing the Pig,” in The Shallow Ends
“Will You Tape a Big Zero to My Shirt?“, in Sidereal
“A Small Replica of History,” in Matter Monthly
“It Turns Out a Broken Heart” in Rise Up Review
RADAR POETRY SUITE: “This Aurora Has a Crack and is Beginning to Take on Water”
“For Danelle, on the Curving Back Roads of Wahkiakum County, at the Unblemished Age of Sixteen” (Thanks to Radar for nominating this poem for a Pushcart Prize)
All We Can Hold: Poems of Motherhood: “Neonatal Intensive Care Unit”
The Compass: “In Art Therapy, They Have Us Sketch Legs”
Florida Review: “Astoria”
The James Franco Review:“Biological Half-Lives”
Glass: A Journal of Poetry: “Spell Begging to Be Your Gerry Lindgren/ Spell Lying Down on the Job”
Lost Horse Press (from RUST FISH): “The Rust Fish”
Montana Public Radio: “Goddammit” (first appeared in Rust Fish)
New Ohio Review: “Facing” and “The Woman Who Didn’t Know How” (audio file)
Prism Review: “Nymphomaniac Dreams of Hell”
Raven Chronicles: “Migration”
Southern Humanities Review: “What She Sees Above Us”
Spoon River Poetry Review: “The Filling”
Squalorly: “Under the Cathedral Tree” and “Trains”
Tahoma Literary Review: “The Oriole Outside My Window Reminds Me” (audio file)
The Far Field (blog of WA State Poet Laureate Kathleen Flenniken): “Honesty” (this poem first appeared in Rattle)
Waywiser Press: “A Mother’s Story” and “Marsupial”
West Branch: “Something Like Singing in the Rain”
. . and elsewhere . . .
See BOOKS for more.